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Alicia Young

Sought after by orchestras, both domestic and international, Mr. Glassman maintains an active concert calendar. Notable engagements include: Prince Osaka in Mascagni’s Iris with the Munchner Philharmoniker, Verdis’ Requiem with L’Opera de Nice, Mahler’s Lied von her Erde with the Orquesta Sinfonica de Xalapa in Mexico, Rusalka with The Fort Worth Symphony, Erik in Der Fliegende Hollander in concert with the Syracuse Opera, Das lied von her Erde with Grand Rapids Symphony and Boito’s Mephistofele with Boston Concert Opera. Allan is currently on staff as an adjunct professor at Rosevelt University, Chicago.
Tenor Allan Glassman has thrilled audiences throughout America and Europe for decades with his vibrant timbre and committed interpretations of roles. Critics exclaim, “his very presence on stage made those around him sound better.” A regular at The Metropolitan Opera, Mr. Glassman triumphed as Herod in a production of Salome and has since been heard in The Met’s productions of Billy Budd as Red Whiskers; Die Frau ohne Schatten as The Hunchback Brother; Salome as the First Jew; Lady Macbeth of Mtsensk District as The Shabby Peasant; and in productions of Boris Godunov, The Great Gatsby, Carmen, Elektra, Kát a Kabanová, The Ghost of Versailles, Mussorgsky’s Khovanshchina, and Wozzeck.
Mr. Glassman has performed the role of Herod in Salome to wide acclaim in opera venues throughout the world. Critics wrote: “His fear and distress seemed to come from his heart and soul.” Some notable engagements as the patriarch include productions with San Diego Opera, Fort Worth Opera, Opera San Antonio, the Ravinia Festival (under the baton of Maestro James Conlon), with Cape Town Opera in Cape Town, South Africa, and most recently with Los Angeles Opera. This season, he returns to The Metropolitan Opera for their productions of Die Zauberflöte and Hänsel und Gretel.
Mr. Glassman’s impressive career includes many titular roles in some of opera’s most notable works, including Samson in Samson et Dalila at the former Opera Pacific, Sacco in Sacco and Vanzetti at the Tampa Bay Performing Arts Center, Hoffmann in Les Contes d’Hoffmann, and Idomeneo at Los Angeles Opera, where he was double cast with the esteemed Plácido Domingo. Hailed as the Otello of his generation: “Glassman is a full-on Verdian tenor… Glassman is more than equal to the demands of the role, conveying Otello’s pain and suspicion vividly.”
In past seasons, he has performed the role with the Opera Company of Philadelphia, Arizona Opera, Palm Beach Opera, Dallas Opera, Des Moines Metro Opera, and Chautauqua Opera. Other highlights from his leading roles résumé include Don José in Carmen, Cavardossi in Tosca, and Pinkerton in Madama Butterfly with New York City Opera; and Canio in Pagliacci with Arizona Opera, Chautauqua Opera, Palm Beach Opera, and Nashville Opera.

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